Billed as “a stunning night of hits from the greatest divas”, the almost-full house was not disappointed. The Lady Killers were Suzanne Lynch, Jackie Clarke, and Sharon Emirali – a very able replacement for Tina Cross, who had COVID.
With a mixture of group medleys and solo performances, this was a masterclass in top-notch, high-energy singing, with superb band arrangements led by talented keyboardist Grant Winterburn. The simple-themed backdrops included photos and were a great touch that didn’t detract from the onstage action. The minimal light show enhanced the visibility of all the singers and band members, making for more inclusive interaction between artists and audience.
But the highlight of the evening? The songs from divas as diverse as Nina Simone and Taylor Swift. Jackie said the night was about “women who sing and write with their hearts and souls, and have made the beautiful soundtracks of our lives”.
Sweet Dreams, followed by the gorgeous (You Make Me Feel Like) A Natural Woman, got vocal chords and the crowd warmed up nicely. An energetic Valerie was followed by Son of a Preacher Man, featuring Suzanne’s sultry vocals. Stop! In the Name of Love featured the solid rhythm section of Karika Turua (bass) and Adam Tobeck (drums). Single Ladies had more than a few ladies out of their seats dancing. For Venus, with Chet O’Connell’s frenetic guitar playing, the audience sang along enthusiastically.
The Pointer Sisters’ Jump (For My Love) segueing into Van Halen’s Jump, without the band missing a beat, was a masterstroke. How Will I Know had the crowd loudly clapping and singing along – but the sound mix was so good that The Lady Killers were never drowned out!
After the interval, 9 to 5 got the crowd straight back into party mode. I Will Survive, Man! I Feel Like A Woman!, Jackie’s stunning vocal range on Wuthering Heights... so many songs, too many highlights to list! With the final song Waterloo, after more than two hours of diva hits, we felt like we had just been in party central – Wellington style!