Presented by: Capital Theatre Trust and G&T Productions
Directed by: Grant Meese
St James Theatre, 22nd Aug 2023
Reviewed by: Madelaine Empson
With music and lyrics by Stephen Schwartz and book by Winnie Holzman, Wicked is the untold story of the witches of Oz: Glinda the Good (Maya Handa Naff) and Elphaba, the Wicked Witch of the West (Heather Wilcock). This Wizard of Oz prequel starts and ends at the same moment in time in the great Emerald City, flashing back to Glinda and Elphaba’s first encounter at Shiz University and picking up the story from there. With black-catty dynamics between the broommates exacerbated by a boy, Fiyero (Nick Lerew), the multi-award-winning musical follows the prickly relationship of Glinda and Elphaba as it shifts and changes… For Good.
Our two leads crackle with chemistry. Even when Defying Gravity on a broomstick, Wilcock’s grounding and intuitive stage presence stabilises the mile-a-minute action, especially when paired with Naff’s deliciously extravagant performance, which is show-stealing, star-striking gold at every turn. Even their voices work in perfect harmony, with the magic happening when Wilcock’s rich tonal depth meets the purity and clarity of Naff’s soprano trills.
I swoon over Lerew’s velvet voice and charm, cackle at Kevin Orlando’s quirks as the hapless Boq, commiserate with Ben Emerson’s gentle, genial, G.O.A.T Dr Dillamond, and find my new favourite number in the cabaret-esque A Sentimental Man, where David Hoskins gives us the ol’ razzle dazzle as the wizard. Anna Smith lands emotional king-hits as Nessarose, while headmistress Madame Morrible (Frankie Leota) is every bit as horrible (and entertaining) as she should be. The core cast is supported by an ensemble effervescent with energy and teeming with talent.
All of the design elements – from Martin Searancke’s theatrical lighting sorcery to the spectacular set, costumes, and props (that Oz head!) provided by NZ Musical Theatre Consortium – would befit Broadway or The West End. Couple that with consummate direction from Grant Meese, Leigh Evans’ tight and terrifying choreography (the monkeys’ malformed movements make me physically recoil), and Kate Marshall’s masterful music direction, accentuated by faultless live orchestration, and Wicked is world class in Wellington.