Sense & Sensibility
Written by: Jane Austen and Penny Ashton
Directed by: Penny Ashton
Circa Theatre, 16th Jul 2024
Reviewed by: Tanya Piejus
An interpretation for the Bridgerton generation, Penny Ashton’s Sense & Sensibility is a comedy tsunami to crest the Austen wave that has surged through Wellington theatre in recent years.
Ashton takes a highly theatrical approach to staging, eschewing the lavish drawing-room sets others have opted for. She instead uses a few simple props, chairs and set pieces on casters that the actors often employ to great comic effect and deftly manoeuvre between scenes with the slick assistance of stage crew (Fay Van Der Meulen and Chenae Phillips). This lack of complexity gives free space to a highly talented cast to create the larger-than-life characters and fully express the wit that inhabits Austen’s pages.
Casting only women to “celebrate a woman denied so much because of her sex” is another brilliant comic touch as four of the six ensemble cast play the men (and women) in the lives of the Dashwood sisters, stoic Elinor (Adriana Calabrese) and emotional Marianne (Lily Tyler Moore). Amy Tarleton, Heather O’Carroll, Bronwyn Turei (Ngāti Porou), and Aimée Sullivan are endlessly creative with the handful of parts they each play. Sending up male stereotypes as only women can do, they bring a new level of entertainment to a classic story. The chemistry between the Dashwood sisters is authentic and Calabrese and Tyler Moore are perfectly cast.
The soundtrack (Ashton again) plays a strong supporting role with its rousing classical music and shameless plundering of the Bridgerton playbook with string quartet versions of Katy Perry, Eurythmics, Bonnie Tyler, and more. And in true Ashton fashion, the script slips in references to Dickens, a sneaky homage to Shakespeare’s Twelfth Night, and a hilariously meta aside to Bridgerton itself.
Ashton has managed to walk the fine line between making a two-and-a-half-hour show continuously engaging and preserving the emotional heart of Austen’s timeless story. I’ve never cried at an Austen performance before but must admit to a wee tear in the eye at the end of this one, such is its magic.
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