Holy Cow (Vingt Dieux)
(M)
92 minutes
(4 ½ out of 5)Reviewed by: Alessia Belsito-Riera
Cheese.
That’s all anyone had to say to get me seated in front of Holy Cow, a coming-of-age dramedy screening as part of French Film Festival Aotearoa. But it was not simply the promise of comté that filled my tummy with warm fuzzies – rather a certain je ne sais quoi only a sun-soaked, nostalgic French summer story can conjure that nourished my soul.
Holy Cow comes to Aotearoa hot on the heels of two wins at this year’s César Awards, over one million admissions in France, and an official Festival de Cannes Youth Award. The debut feature film from part-time farmer Louise Courvoisier curdles around 18-year-old Totone (Clément Faveau). He lives in the picturesque Jura region in south-eastern France – an area renowned for its dairy farms, agricultural festivals, and award-winning comté cheese – but he just wants to have fun with his friends, get drunk, and chase mademoiselles. However, after a devastating tragedy, he must grow up quick to care for his seven-year-old sister Claire (Luna Garret).
His solution to their dwindling funds? Follow in his family’s cheesemaking footsteps and win the €30,000 Comté Prize. The only problem is, Totone has never made cheese in his life.
At once delicate and coarse, Holy Cow’s hardened exterior gives way to a soft, gooey centre, a distinctive flavour oozing forth in morsels of cheeky charm as tender relationships form between Totone and his sister, friends, and Marie-Lise (Maïwene Barthelemy), a local dairy farmer. The young cast shine in a blunt, honest, and raw portrayal of character. Their authenticity shines through, appearing as comfortable on screen as at a summer fête and delivering a performance both fragile and complex. The long cuts (editor Sarah Grosset) between scenes allow the characters to live in each moment and for the audience to join them in their musings and mishaps.
With what I can only describe as a banging summer soundtrack full of vigour and vivacity composed by Linda and Charles Courvoisier and hazy albeit saturated cinematography (Elio Balezeaux) that captures the intensity of the teenage experience, Holy Cow serves up the perfect bite of freshness, fun, fervour, and fromage.
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