Decadunce - Reviewed by Oliver Mander | Regional News Connecting Wellington
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Decadunce

Created by: Marshall Lorenzo

BATS Theatre, 20th Feb 2026

Reviewed by: Oliver Mander

Decadunce is a frenetic, energetic, multi-layered romp that offers a merciless skewering of consumerism and excess.

Briscoes, Harvey Norman, and Uber are featured, with the focus of the satire less about the companies themselves and more about their target customer demographics. Lorenzo’s persona as a Harvey Norman salesman notes that all of their couches look like they were designed in 2001, while Uber’s younger generation customers have no money to their name, but still prefer the service to using their legs. And as for the Briscoes lady… I will never hear “You’ll never buy better” in quite the same way ever again.

As consumers, regardless of age, stage, or demographic, we are all roundly and hilariously lampooned.

Lorenzo offers a masterclass in audience engagement, with direct eye contact and energy that is irresistible. His stage performance is well supported by a striking set that offers superb functionality through its simplicity, and a soundtrack of energetic beats that reflect his own performance while keeping the buzz alive amongst the audience.

It is the clever integration of all those technical and creative elements that create the underlying energy for this show. Of course, we might expect that of every performing arts show, but it’s the sheer variety of those elements that make Decadunce something special. Lorenzo uses movement and dance, singing, voice, and caricature, beautifully integrated with sound, light, and stage. His talent is there for all to see, and the satire is generally well focused and targeted.

There are a couple of moments in the script that feel unnecessary. Satirising individual politicians is one thing, but making a personal slur against one within the show detracts from the wider satirical nature of the script. It’s clear that Lorenzo has the talent to create the satire without resorting to insult; maintaining the satire would have offered far more scope for humour.

Regardless of my personal status as an unabashed capitalist, this was a great night out. Energetic, biting, and seriously funny, it left me wanting to see more.

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