Braiding the Land - Reviewed by Tanya Piejus | Regional News Connecting Wellington
 Issue

Braiding the Land

Presented by: Raven Spirit Dance

Te Auaha, 4th Jun 2025

Reviewed by: Tanya Piejus

As part of the Kia Mau Festival, this collection of three dance works traces the connections between vast ancestral landscapes and our bodies. It’s performed by Raven Spirit Dance hailing from Vancouver, Turtle Island, and the unceded ancestral territories of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and səl̓ilwətaɁɬ (Tsleil-waututh) First Nations.

Frost Exploding Trees Moon follows the journey of a woman (Michelle Olson) travelling her trap line. She is simply outfitted in dress, head scarf, and soft leather boots and carries three tree branches. She moves sometimes joyfully, sometimes thoughtfully, sometimes fearfully while responding to the rhythms of ancestral music and song. Eventually, her branches become a modest teepee that she shelters under from the harsh mountain environment she previously revelled in.

The second piece, Spine of the Mother, began as a collaboration between Indigenous artists in Canada and Peru and explores their deep connection with the mountain ranges that join them geographically. Representing the spirits of North and South, Eagle and Condor, two women (Tasha Faye Evans and Marisa Gold) interact with stones while haunting music and the harsh sound of grinding rock guides their movements. Often twisted, painful, and frantic, their bodies echo the cracking freeze and thaw of the high mountains. They find peace and connection in each other as the two hemispheres come together in breath and spirit.

Finally, Confluence uses five flowing, playful bodies to trace the journey of a rushing river that speaks to the resilience and adaptability of Indigenous women. Dressed in bright colours, the five women (Michelle Olson, Starr Muranko, Jeanette Kotowich, Samantha Sutherland, and Emily Solstice) clap and move in time as they celebrate life together, then split and reform as water curves around rocks. A sweet echo of the first piece comes as Olson is briefly left solo on the stage glancing upwards at the sky.

Beautifully lit (John Carter and Jonathan Kim) and accompanied by a lush soundscape from a variety of artists, Braiding the Land is a contemplative and thought-provoking physical exploration of the ancient ties between people and land.

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